Adobe Photoshop

Adobe Photoshop CS2 Photographers Guide by David D. Busch PDF

By David D. Busch

ISBN-10: 1592007252

ISBN-13: 9781592007257

Images and Photoshop pass hand in hand. in the event you think there is not sufficient images within the usual Photoshop booklet, and there's not sufficient Photoshop within the regular images ebook, then the booklet you are looking for is true on your palms. This full-color publication is choked with potent examples, uncomplicated to stick with recommendations, and tips that function a jumping-off element to spark your personal creativity into motion. study Photoshop from a photographer's standpoint as you conceal either conventional and modern photographic strategies, and reproduce or improve them in Photoshop.

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5 It took only five minutes to create this composite in Photoshop. 5. 11 12 Adobe Photoshop CS2: Photographers’ Guide Color Correction With traditional photography, color correction is achieved in several ways. You can put filters over the lens of your camera to compensate for a slight bluish or reddish tint to the available light. Other filters can correct for the wacky lighting effects provided by some fluorescent lamps. Some color correction can be done when making a print. Digital cameras can even do a bit of color correction internally, using the white balance settings.

19. 17 The zoom effect has been applied fullstrength to the entire image except for the basketball. 18 Fading the zoom blur to 71% makes the image a little more recognizable. 19 Combining a blurred image with the original selectively gives you a picture that looks like this. Zoom blurring works especially well with sports events, rock concerts, and other fast-moving situations where a little blur can liven up a photo. OTHER BLUR EFFECTS Photoshop CS2 has other useful lens-like blur effects you can apply, including the Spin blur option in the Motion Blur filter, plus Lens Blur, Radial Blur, and Shape Blur.

Notice that both the top and bottom of the subject are cut off. 1 When the back of the camera is parallel to the plane of the subject, it’s sometimes impossible to include the entire subject in the photo. 2. The monument appears to be falling back, and the base appears proportionately larger than the top, because it’s somewhat closer to the camera. 2 In wide-angle mode, tilting the camera makes the monument look like it’s falling backwards. The traditional workaround to this dilemma is one that’s generally available only to those who do a great deal of architectural photography.

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Adobe Photoshop CS2 Photographers Guide by David D. Busch

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